Marúsca Danntz (Moresca)<titlePart xml:id="thvk3bc1" type="subordinate">edition in <abbr xml:id="adfdqvj1" expan="German Lute Tablature">GLT</abbr> </titlePart> Marúsca Danntz Moresca Irina Döring Kateryna Schöning Henning Burghoff Irina Döring Henning Burghoff Ilias Kyriazis Julia Jaklin E-LAUTE Electronic Linked Annotated Unified Tablature Edition Weave FWF Austrian Science Fund DFG German Research Foundation SNF Swiss National Science Foundation First edition. Austrian National Library
Josefsplatz 1 1015 Vienna Austria
2025-08-23 Vienna Austrian National Library
Josefsplatz 1 1015 Vienna Austria
Distributed under the Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0) o:lau.A-Wn_Cod._9704_n06 Marúsca Danntz Jakob Thurner 7r-7v A-Wn_Cod._9704_n06 Cantilenae germanicae nec non odae latinae cum notis musicis A-Wn_Cod._9704 Jakob Thurner Vendabona ca. 1520 s.-ca. 1523 s. luteconv mei-friend

First edit by mei-friend 1.0.14p, 3 September 2024.

 GitHub Action Scripts

Combined measures split by section (Guideline-change)

Adjusted Finis position (Guideline-change)

Adjusted the Header according to Guidelines

E-LAUTE Edition Guidelines: https://edition.onb.ac.at/fedora/objects/o:lau.red-editionguidelines/datastreams/MEI_CONVENTIONS/content

The rhythmic structure is based on the concordance in 106 Lute pieces (D-Mbs Mus.ms. 1512), fol. 46v. The concordance is more elaborate but its structure corresponds.

Added barlines (in accordance with the concordance in D-Mbs Mus.ms. 1512, fol. 46v "Der Marúscat danntz").

Fol. 7r, system 1, before the "1" before the fermata, the scribe added a small "n". Its rhythm sign is missing. Supplied the sign for a minima.

Fol. 7r, system 2, the rhythm sign on the third last, and last dyad are missing. Supplied a semibrevis, and minima-sign.

Fol. 7r, system 3, the rhythm sign on the third dyad is missing. Supplied the sign for a minima.

Fol. 7v, the first semiminima overfills the measure. Changed it to a minima. Wrapped in choice.

Added first and second ending to the first repetition.

Changed the fermatas in the middle of the piece to rhythm signs for breves.
fol. 7r tabDurSym supplied by editor tabDurSym supplied by editor tabDurSym supplied by editor
In accordance with the concordance in D-Mbs Mus.ms. 1512 fol. 7v finis